Drum N Bass

Backlash Secret Society vs ZedCopter BLR002 VINYL 2008 sour[TheSurgeons org]

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\ /: _\ rippers /____: release no ( 9570 ) \ rating |: \_____. |: artist (Secret Society vs ZedCopter ) | .---. |: title (Grind House / Tabla Jam (Remix) ) | 0 | | |: record label (Backlash (BLR002) ) | 9 |%%%| |: genre (Drum & Bass ) | 8 |%%%| |: release date (2008/06/13) | 7 |%%%| |: street date (2008/06/09) | 6 |%%%| |: | 5 |%%%| |: media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |: cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |: | 2 |%%%| |: | 1 |%%%| |: (02 tracks) (13:36 min) ( 21,8 mb) | `---' |: `----------': _. ____ ____ ____ __
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|_____|__|__|_____|_____|__|__|: | :: nr times track titles
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| A 6:29 Secret Society - Grind House |
| AA 7:07 ZedCopter - Tabla Jam (Secret Society Remix) |
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| | | |
| | Backlash 002 presents us with a glimpse of | |
| | the mindset of upcoming production duo Secret | |
| | Society: | |
| | | |
| | Side A (Grind House) is a mysterious roller | |
| | starting out with swirling percussion and | |
| | minimal keys and giving way to growling sub | |
| | bass and a gently menacing atmosphere. | |
| | Spooked out snare rushes contribute to an | |
| | already ghastly vibe before dropping into | |
| | unique amen/sub-bass edits. This tune will | |
| | undoubtedly leave your mind in a suspicious | |
| | state. | |
| | | |
| | Side AA is an entirely new take on the sounds | |
| | of South Asia, with a hypnotic future-dub | |
| | presence taking control on a remix of | |
| | ZedCopter's "Tabla Jam". An initial | |
| | spaced-out sitar invites a darkly intriguing | |
| | arpeggio. This soon leads way to deep subs | |
| | and subdued spoken word, accented by the | |
| | sting of frigid stabs and Bhangra beats. This | |
| | is an enigmatic approach to South Asian | |
| | electronica, and we can't wait to hear more | |
| | from this duo. | |
| | | |
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| | | | | | | | | | | | d i s c l a i m e r: |
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| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
`---------------------------------------------------------/ |
/____________________|: sour productions(c) 1999-2008

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